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玛尔大与玛利亚·玛达肋纳 (卡拉瓦乔).
玛尔大与玛利亚·玛达肋纳 |
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意大利语:Marta e Maddalena |
![](https://upload.wikimedia.org/wikipedia/commons/thumb/2/25/Michelangelo_Merisi_da_Caravaggio_-_Martha_and_Mary_Magdalene_-_WGA04101.jpg/300px-Michelangelo_Merisi_da_Caravaggio_-_Martha_and_Mary_Magdalene_-_WGA04101.jpg) |
艺术家 | 卡拉瓦乔 |
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年份 | c. 1598 |
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媒介 | 布面油画 |
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尺寸 | 100 cm × 134.5 cm(39英寸 × 53.0英寸) |
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收藏地 | 底特律艺术学院 |
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《玛尔大与玛利亚·玛达肋纳》是意大利巴洛克艺术大师卡拉瓦乔的一幅布面油画,绘制于约 1598 年。现藏于底特律艺术学院。
卡拉瓦乔绘制这幅画时,当时他是德尔蒙特枢机主教的随从。1971 年 6 月 25 日,这幅画在伦敦佳士得拍卖行出售。 [1]1973 年由底特律艺术学院收购。
这幅画描绘新约圣经中的玛尔大和玛利亚姐妹俩。玛尔大的脸被阴影笼罩,身体前倾,玛利亚身穿红衣,手持镜子,手指间旋转着一朵橙花,象征着她即将放弃的虚荣心。桌上陈列着威尼斯镜子、象牙梳子和带海绵的盘子。 [2]
参考
- ^ Salerno, Luigi. The Art-Historical Implications of the Detroit 'Magdalen'. The Burlington Magazine. October 1974, 116 (859): 565+570+573+586–591+593. JSTOR 877819.
- ^ Cummings, Frederick. The Meaning of Caravaggio's 'Conversion of the Magdalen'. The Burlington Magazine. October 1974, 116 (859): 562+565+570+572–578+591. JSTOR 877817.
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| | | 1593–1594 | |
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| 1595–1599 Del Monte |
- 音乐家们 (1595)
- 亚西西圣方济各的神魂超拔 (1595)
- 被蜥蜴咬伤的男孩 (1596)
- 鲁特琴师 (1596)
- 酒神巴克斯 (1596)
- 悔罪的玛利亚玛达肋纳 (1597)
- 逃往埃及途中歇息 (1597)
- 美杜莎 (c. 1597)
- 妓女肖像 (1597)
- 朱庇特、尼普顿和普路托 (c. 1597)
- 亚历山大的加大肋纳 (c. 1598)
- 祭献依撒格 (普林斯顿) (c. 1598)
- 若翰洗者 (c. 1598)
- 玛尔大和玛利亚玛达肋纳 (c. 1598)
- 马菲欧·巴贝利尼肖像 (1598)
- 果篮 (c. 1599)
- 友第德割下何乐弗尼的头颅 (c. 1599)
- 大卫和歌利亚 (c. 1599)
- 纳西瑟斯 (c. 1599)
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| 1600–1606 罗马 | |
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| 1606–1608 那不勒斯和马耳他 |
- 玛利亚玛达肋纳的神魂超拔 (1606)
- 圣方济各在祈祷 (克雷莫纳) (1606)
- 以马忤斯的晚餐 (米兰) (1606)
- 七件善事 (1606)
- 圣安德肋钉十字架 (1607)
- 手提歌利亚头的大卫 (维也纳) (1607)
- 玫瑰圣母 (1607)
- 荆棘冠冕 (卡拉瓦乔,维也纳) (1607)
- 基督的鞭刑 (c. 1607)
- 基督在柱子上 (c. 1607)
- 带着施洗约翰头颅的莎乐美 (伦敦) (c. 1607)
- 正在书写的圣热罗尼莫 (瓦莱塔) (1607)
- 阿罗夫·德·维格纳科特及侍从的画像 (1607–1608)
- 安东尼奥·马尔泰利修士肖像 (1608)
- 被斩首的圣若翰洗者 (1608)
- 沉睡的丘比特 (1608)
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| 1608–1610 西西里和那不勒斯 | |
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| 相关 |
- Utrecht Caravaggism
- 卡拉瓦乔主义者
- Caravaggio, il pittore maledetto
- 卡拉瓦乔 (1986年电影)
- 卡拉瓦乔 (2007年电影)
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