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圣保禄的归化 (卡拉瓦乔).
| 圣保禄的归化 |
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| 艺术家 | 卡拉瓦乔 |
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| 年份 | 1601 |
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| 媒介 | 油画 |
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| 尺寸 | 230 cm × 175 cm（91英寸 × 69英寸） |
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| 收藏地 | 罗马人民圣母圣殿 |
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《圣保禄的归化》 ( Conversione di San Paolo ) 是卡拉瓦乔的一幅画作，绘于 1601 年，位于罗马人民圣母圣殿的切拉西小堂。小堂的对面是卡拉瓦乔的第二幅画作《伯多禄被倒钉十字架上》。在两者之间的祭坛上，是安尼巴莱·卡拉奇的《圣母升天》。
1600年7月8日，克勉八世的财政大臣提比里奥·切拉西蒙席从奥斯定会修士手中购买了这个小堂，委托卡洛·马代尔诺将其重建为巴洛克风格。[1]1600年9月，切拉西小堂的两幅画作。与卡拉奇签订的祭坛画合同没有保存下来，但一般认为该文件签署的时间稍早，所以卡拉瓦乔必须考虑与另一位艺术家的作品和小堂整体的协调。[2]
参考
- ^ Hibbard, Howard. Caravaggio. Westview Press. 1983: 119. ISBN 0-06-430128-1.
- ^ Denis Mahon: Egregius in Urbe Pictor: Caravaggio revised, The Burlington Magazine, Vol. 93, No. 580 (Jul., 1951), p. 226
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| | | | 1593–1594 | |
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| 1595–1599
Del Monte |
- 音乐家们 (1595)
- 亚西西圣方济各的神魂超拔 (1595)
- 被蜥蜴咬伤的男孩 (1596)
- 鲁特琴师 (1596)
- 酒神巴克斯 (1596)
- 悔罪的玛利亚玛达肋纳 (1597)
- 逃往埃及途中歇息 (1597)
- 美杜莎 (c. 1597)
- 妓女肖像 (1597)
- 朱庇特、尼普顿和普路托 (c. 1597)
- 亚历山大的加大肋纳 (c. 1598)
- 祭献依撒格 (普林斯顿) (c. 1598)
- 若翰洗者 (c. 1598)
- 玛尔大和玛利亚玛达肋纳 (c. 1598)
- 马菲欧·巴贝利尼肖像 (1598)
- 果篮 (c. 1599)
- 友第德割下何乐弗尼的头颅 (c. 1599)
- 大卫和歌利亚 (c. 1599)
- 纳西瑟斯 (c. 1599)
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| 1600–1606
罗马 | |
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| 1606–1608
那不勒斯和马耳他 |
- 玛利亚玛达肋纳的神魂超拔 (1606)
- 圣方济各在祈祷 (克雷莫纳) (1606)
- 以马忤斯的晚餐 (米兰) (1606)
- 七件善事 (1606)
- 圣安德肋钉十字架 (1607)
- 手提歌利亚头的大卫 (维也纳) (1607)
- 玫瑰圣母 (1607)
- 荆棘冠冕 (卡拉瓦乔,维也纳) (1607)
- 基督的鞭刑 (c. 1607)
- 基督在柱子上 (c. 1607)
- 带着施洗约翰头颅的莎乐美 (伦敦) (c. 1607)
- 正在书写的圣热罗尼莫 (瓦莱塔) (1607)
- 阿罗夫·德·维格纳科特及侍从的画像 (1607–1608)
- 安东尼奥·马尔泰利修士肖像 (1608)
- 被斩首的圣若翰洗者 (1608)
- 沉睡的丘比特 (1608)
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| 1608–1610
西西里和那不勒斯 | |
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| | 相关 |
- Utrecht Caravaggism
- 卡拉瓦乔主义者
- Caravaggio, il pittore maledetto
- 卡拉瓦乔 (1986年电影)
- 卡拉瓦乔 (2007年电影)
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