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經文歌

摘錄自巴洛克音樂巴赫的作品Der Geist hilft unser Schwachheit auf(BWV226),歌唱者須在同一個音節上唱出許多不同的音符,此作曲結構稱為melisma

经文歌(英語:motet)是中世纪文艺复兴时期的一种宗教音乐体裁,由克勞蘇拉(clausula)發展而成。一開始是在克勞蘇拉段落加入歌詞,稱為motetus,後逐漸發展演變為經文歌。

13世紀初的經文歌是三聲部,皆為拉丁语歌詞,後來逐漸發展,上二聲部可使用各地方言歌詞,但此種型式較少見,Tenor取材自素歌,但已非人聲演唱,而是由樂器演奏,僅在下面附註出處。

13世紀後半葉的經文歌有兩種型式,一為Franconian,一為Petronian。兩者皆在節奏上作出對比,由上而下的聲部依序為快,中,慢,前者將音符細分在三音之內,後者將音符細分在三音以上。曲調來原則不再只有素歌,甚至可從世俗歌曲之中取材。

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經文歌
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