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徐常遇

徐常遇(?—?)字二勳,號五山老人揚州人,生於康熙年間,古琴廣陵琴派的始創人。

其古琴演奏風格崇尚“淳古淡泊”,取音柔和,善用偏锋,節奏较自由,“指法探微淺奥,積古人之未盡”。[1]徐常遇主張古曲没有不盡之處,只能删而不能增,“既是加得極佳,也總非古人所有”。[2]

徐常遇弟子极多,包含其三个儿子徐祜(著有《雍门琴谱》,曾参与鉴定《微言秘旨订》)、徐驥、徐褘、侄孙徐錦堂以及宗室普照、长白唐公、马士俊(著有《琴香堂琴谱》)、孔毓、苏梅许汝霖徐秉义、甘应泰、梁镜、杨文言、范国禄、舒格、何金骧、李穣、方象璜、鲁鼐(著有《琴谱析微》)、年羹尧年希尧陈梦雷等人。

輯有《響山堂琴譜》及《琴譜指法》,[3]並由徐祜、徐褘、徐驥於1702年校勘成書,是為《澄鑒堂琴譜》。

参考文献

[编辑]
  1. ^ 周慶雲. 《琴史續》. 1919. 
  2. ^ 蔣文勛. 《二香琴譜》. 1833. 
  3. ^ 徐常遇. 《琴譜指法》. 
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徐常遇
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