^See Grace Moore, "Reappraising Dickens's 'Noble Savage'", The Dickensian 98:458 (2002): 236-243. Moore speculates that Dickens, although himself an abolitionist, was motivated by a wish to differentiate himself from what he believed was the feminine sentimentality and bad writing of female philanthropists and writer such as Harriet Beecher Stowe, with whom he, as a reformist writer, was often associated.
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