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降d小调

降d小调
关系调降F大调
同主音调降D大调
属音降a小调
下属音降g小调
异名同音升c小调
自然音阶
D, E, F, G, A, B双降, C

降d小调是基于D的小调,由D、E、F、G、A、B双降、C组成。其调号除了六个降号外具一个重降号,属于理论调。

简介

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音阶

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降d小调的自然小调为:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key des \minor \time 7/4 des4^\markup { Natural minor scale } es fes ges aes beses ces des ces beses aes ges fes es des2
  \clef bass \key des \minor
} }

和声小调为:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key des \minor \time 7/4 des4^\markup { Harmonic minor scale } es fes ges aes beses c des c beses aes ges fes es des2
} }

旋律小调为:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key des \minor \time 7/4 des4^\markup { Melodic minor scale (ascending and descending) } es fes ges aes bes c des ces! beses! aes ges fes es des2
} }

应用

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降d小调常被标记为其异名同音小调升c小调,如艾米·比奇在其《太阳颂》中的做法,[1]以及安东·布鲁克纳在《第八交响曲》中的做法。[2][3]朱塞佩·威尔第和两部歌剧《茶花女》和《弄臣》的结尾部分以降D大调记谱,但按调性实为其同主音调,即降d小调。古斯塔夫·马勒在其《第四交响曲》及《第五交响曲》中的“小点召”动机则用了两种标记:前者为降d小调,后者为升c小调;另外,其《第九交响曲》第四乐章中,紧从主题后的巴松管插入段初时以降d小调标记,后来乐段的两次出现则以升c小调标记。[4][5]

来源

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  1. ^ Amy Beach & Betty Buchanan. The Canticle of the Sun. A-R Editions, Inc. 2006: xiii. ISBN 0-89579-583-3. 
  2. ^ Ernst Levy. A Theory of Harmony. SUNY Press. 1985: 62. ISBN 0-87395-993-0. 
  3. ^ Eero Tarasti. Music history revisited. Eero Tarasti; Paul Forsell; Richard Littlefield (编). Musical Semiotics in Growth. Indiana University Press. 1996: 14–15. ISBN 0-253-32949-3. 
  4. ^ James L. Zychowicz. Structural Considerations. Mahler's Fourth Symphony. Oxford University Press. 2005: 28. ISBN 0-19-816206-5. 
  5. ^ Theodor W. Adorno. Mahler: A Musical Physiognomy. 由Edmund Jephcott翻译. University of Chicago Press. 1992: 165–166. ISBN 0-226-00769-3. 
自然音阶
Circle of fifths
Circle of fifths
调号的升/降号数量 降号 升号
大调 小调 大调 小调
常用七大(小)调 0 C大调 - a小调
1 F大调 d小调 G大调 e小调
2 B♭大调 g小调 D大调 b小调
3 E♭大调 c小调 A大调 f♯小调
4 A♭大调 f小调 E大调 c♯小调
5 D♭大调 b♭小调 B大调 g♯小调
6 G♭大调 e♭小调 F♯大调 d♯小调
7 C♭大调 a♭小调 C♯大调 a♯小调
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降d小调
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