Noise Fest
| Noise Fest | |
|---|---|
_90_min_cassette,_ZG_Music,_cover_by_Barbara_Ess.jpg) Noise Fest (1981) 90 min cassette, ZG Music, cover by Barbara Ess | |
| Genre | Experimental music, no wave noise music |
| Dates | June 1981 |
| Location(s) | New York City art space White Columns |
| Founders | Thurston Moore |
Noise Fest was an influential festival of no wave noise music performances curated by Thurston Moore of Sonic Youth at the New York City art space White Columns in June 1981. Sonic Youth made their first live appearances at this show.[1]
In mid 1981 Kim Gordon and Josh Baer convinced Thurston Moore to organize this nine-day noise festival to accommodate underemployed experimental performers in the downtown post-punk scene. The festival was held in the White Columns gallery, which had a capacity of 60 people.
Each night three to five acts performed, including Rhys Chatham, Glenn Branca, Ut, Jeffrey Lohn (post-Theoretical Girls, Y Pants, Built on Guilt (with Robert Longo), Rudolph Grey, the Avant Squares, Off Beach, Mofungo, solo Lee Ranaldo, Jules Baptiste's Red Decade, NNB, Robin Crutchfield's Dark Day, Glorious Strangers, Dan Asher as Economic Animal, Ad Hoc Rock, Smoking Section, Chinese Puzzle, Avoidance Behaviour, and an early version of Sonic Youth (Anne DeMarinis, Kim Gordon, Richard Smith, Thurston Moore).[2][3]
Recording history
[edit]In 1978 a similar series of punk rock influenced loud noise music mixed with performance art was held at New York’s Artists’ Space that led to the Brian Eno-produced recording No New York. This recording was seen by many as the first attempt to define the no wave sound, as it documented The Contortions, Teenage Jesus and the Jerks, Mars and DNA.
Music from the Noise Festival (aka Noise Fest) was first released as a cassette titled Noise Fest on ZG Music in 1981; the music label of the legendary ZG magazine organized by Rosetta Brookes.[4] All material was recorded live at White Columns. This included the music of Ut, Lee Ranaldo, Mofungo, Khmer Rouge, The Problem, Smoking Section, Sonic Youth, Jeff Lohn (of the Theoretical Girls), Ima, Jules Baptiste Red Decade, EQ'D, Avant Squares, Don King, Primitives, Ad Hoc Rock, Y Pants, John Rehnberger, Off Beach, Barbotemagus (as it is misspelled on the cover), Economical Animal, Chinese Puzzle, Glorious Strangers, Built On Guilt (Robert Longo, Brian Hudson, Jeffrey Glenn, and Karol Hogloff), Oma Fakir, Lampshades. In 1982 the Noise Festival Tape was released by White Columns.[5]
The Executive-Producer was Joshua Baer. The cassette cover design was created by artist Barbara Ess.
Influence
[edit]Noise Fest inspired the Speed Trials noise rock series organized by Live Skull members in May 1983 at White Columns. Among an art installation created by David Wojnarowicz and Joseph Nechvatal, various performance artists such as Ilona Granet and Emily XYZ did their acts intermixing with the music of The Fall, Beastie Boys, Live Skull, Sonic Youth, Lydia Lunch, Elliott Sharp, Swans and Arto Lindsay.
Speed Trials was eventually released as a live album recorded by Mark Roule and became one of the best-selling independent records of its time.[6]
Discography
[edit]- Noise Festival Tape (1982) TSoWC White Columns
- Noise Fest (1981) cassette tape, ZG Music
- Speed Trials (1984) Homestead Records HMS-011
See also
[edit]References
[edit]- Marc Masters, (2007) "No Wave", Black Dog Publishing, London
- Paul Hegarty, Noise/Music: A History (2007) Continuum International Publishing Group
- RoseLee Goldberg, Performance: Live Art Since 1960 (1998) Harry N. Abrams, NY NY
- Thurston Moore, Mix Tape: The Art of Cassette Culture (2004) Universe
Footnotes
[edit]- ^ Simon Reynolds, Rip It Up and Start Again: Post-punk 1978-1984 (2006) Penguin
- ^ Marc Masters, (2007) No Wave London, Black Dog Publishing, pp. 170-171
- ^ [1] Noise Fest at Discogs
- ^ [2] Noise Fest at Discogs
- ^ [3] Noise Fest at Discogs
- ^ Carlo McCormick, The Downtown Book: The New York Art Scene, 1974–1984, Princeton University Press, 2006
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