Love's Last Shift, or The Fool in Fashion is an English Restoration comedy by Colley Cibber from 1696. The play is regarded as an early herald of a shift in audience tastes away from the intellectualism and sexual frankness of Restoration comedy and towards the conservative certainties and gender role backlash of sentimental comedy. It is often described as "opportunistic" (Hume), containing as it does something for everybody: daring Restoration comedy sex scenes, sentimental reconciliations, and broad farce.

Men:^[1]

• Sir William Wisewoud, a rich old gentleman who fancies himself a great master of his passion, which he only is in trivial matters
• Loveless, of a debauched life, grew weary of his wife in six months; left her, and the Town, for debts he did not care to pay; and having spent the last part of his estate beyond sea, returns to England in a very mean state.
• Sir Novelty Fashion, a coxcomb that loves to be the first in all foppery
• Elder Worthy, a sober gentleman of a fair estate in love with Hillaria
• Young Worthy, his brother, of a looser temper, lover to Narcissa
• Snap, servant to Loveless
• Sly, servant to Young Worthy
• A lawyer

Women:

• Amanda, a woman of strict virtue, married to Loveless very young and forsaken by him
• Narcissa, daughter to Sir William Wisewoud, a fortune
• Hillaria, his niece
• Flareit, a kept mistress of Sir Novelty's
• Woman to Amanda
• Maid to Flareit

Colley Cibber played Sir Novelty Fashion in the original 1688 production.

Love's Last Shift is the story of a last "shift" or trick that a virtuous wife, Amanda, is driven to, in order to reform and retain her out-of-control rakish husband Loveless. Loveless has been away for ten years, dividing his time between the brothel and the bottle, and no longer recognizes his wife when he returns to London. Acting the part of a high-class prostitute, Amanda invites Loveless into her luxurious house and treats him to the night of his dreams, confessing her true identity in the morning. Loveless is so impressed by her faithfulness that he immediately becomes a reformed character. A minor part which was a great success with the première audience is the fop Sir Novelty Fashion, written by Cibber for himself to play. Sir Novelty flirts with all the women, but is more interested in his own exquisite appearance and witticisms, and, writes Cibber modestly in his autobiography 45 years later, "was thought a good portrait of the foppery then in fashion".

The play was a great box office hit at the première run but has not stood the test of time. Theatre historians today remember it, if at all, because of John Vanbrugh's sequel The Relapse, or, Virtue in Danger, still a stage favourite, where the husband returns to polygamy.

• Cibber, Colley (first published 1740, ed. Robert Lowe, 1889). An Apology for the Life of Colley Cibber, vol.1, vol 2. London.
• Hume, Robert D. (1976). The Development of English Drama in the Late Seventeenth Century. Oxford: Clarendon Press.
• Parnell, Paul (1963). "The sentimental mask". PMLA, 57, 519—34.
• Cibber, Colley. Love's last shift: or, the fool in fashion. A comedy, as it is acted at the Theatre Royal in Drury-Lane, by Their Majesties servants. Written by C. Cibber. London, 1735. Eighteenth Century Collections Online. Gale. 27 Sept. 2009 <http://find.galegroup.com//ecco/infomark.do?&contentSet=ECCOArticles&type=multipage&tabID=T001&prodId=ECCO&docId=CW111374637&source=gale&version=1.0&docLevel=FASCIMILE>.

v t e Restoration comedy
Playwrights	Aphra Behn Susanna Centlivre Colley Cibber William Congreve John Dryden Thomas D'Urfey George Etherege George Farquhar Edward Howard James Howard Robert Howard Thomas Otway Charles Sedley Thomas Shadwell Thomas Southerne Richard Steele John Vanbrugh George Villiers William Wycherley
Notable plays	The Cutter of Coleman Street (1661) The Adventures of Five Hours (1663) The Comical Revenge (1664) The Mulberry-Garden (1668) She Would If She Could (1668) An Evening's Love (1668) Sir Solomon Single (1670) Love in a Wood (1671) The Rehearsal (1671) Epsom Wells (1672) Marriage à la mode (1672) The Country Wife (1675) Love in the Dark (1675) The Country Wit (1676) The Plain-Dealer (1676) The Man of Mode (1676) Tom Essence (1676) A Fond Husband (1677) Friendship in Fashion (1678) Squire Oldsapp (1678) Tunbridge Wells (1678) A True Widow (1678) The Woman Captain (1679) The London Cuckolds (1681) Sir Barnaby Whigg (1681) The Royalist (1682) City Politiques (1683) Dame Dobson (1683) A Commonwealth of Women (1685) Sir Courtly Nice (1685) Bellamira (1687) A Fool's Preferment (1688) The Squire of Alsatia (1688) Bury Fair (1689) The Fortune Hunters (1689) The English Friar (1690) Sir Anthony Love (1690) Love for Money (1691) The Wives Excuse (1691) Greenwich Park (1691) The Marriage-Hater Matched (1692) The Volunteers (1692) The Canterbury Guests (1694) The Married Beau (1694) Love for Love (1695) Love's Last Shift (1696) The Relapse (1696) The Campaigners (1698) Love and a Bottle (1698) The Constant Couple (1699) The Way of the World (1700) Sir Harry Wildair (1701) The Lying Lover (1703) The Careless Husband (1704) The Recruiting Officer (1706) The Beaux' Stratagem (1707)
Characters	Fop Spark Rake
Related people	Charles II Jeremy Collier Thomas Hobbes Marquis de Sade Molière James II and VII Georg Monck John Wilmot, 2nd Earl of Rochester
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