Korawakgala, or koravakgal (Sinhala: කොරවක්ගල) (wingstones), are stone balustrades, which are located on either side of the stairs/steps leading to the entrance or door of a religious building or structure. They form one of three distinct architectural features at the entrance of most Buddhist structures in Sri Lanka, being the sandakada pahana (moonstone), muragala (guardstones) and the korawakgala (wingstones).^[1]

The earliest known korawakgalas were simple and plain structures with no decorations at all, with time they evolved into elaborate structures with exquisite detailed carvings. Korawagala were initially constructed out of wood and then were built using bricks, without any carvings on it.^[2] These bricks were moulded in curved shapes to fit in. As they evolved simple stone plaques replaced the brick work. These plaques were detailed only with a few geometric lines to highlight the shape, later, a simple pot or a pillar was added on the exterior wall of the structure.^[3]

The structures subsequently evolved into a smoother shape, curving its edges and then a decorated floral design, incorporating flowers and leaves, entangled together. The most advanced stage of the korawakgala is a makaragala (dragonstones), which incorporates the addition of a heavily decorated makara (dragon), a mythological creature, which consists of various body parts from numerous different animals.^[3] Each of these body parts represent the strongest characteristic of that animal. In addition to these, this imaginary beast is often depicted as breathing flames from its mouth.^[4][5]

• elephant's trunk, representing dexterity
• lion's paws, strength
• crocodile's jaw, demand for respect
• boar's ears, acute hearing
• fishes body, movement
• peacocks tail feathers, splendid beauty.

The makara and floral design were often combined, and in some instances, the outer and inner walls of the korawakgala were heavily carved. Although it is rare to find korawakgalas with decorated inner walls, with the majority being plain and unadorned.

There are two balustrades at main entrance of Lankatilaka Viharaya in Kandy. They are sometimes called Gajasinha balustrades because of the shape of the makara there.^[6][7]

• Muragala
• Sandakada pahana

• Wikramagamage, Chandra (1998). Entrances to the Ancient Buildings in Sri Lanka. Academy of Sri Lankan Culture.
• Bandaranayake, S. D. (1974). Sinhalese Monastic Architecture: The Viháras of Anurádhapura. Brill Publishers. ISBN 9789004039926.

v t e Sri Lankan architecture
History	Anuradhapura period Polonnaruwa period Transitional period Kandyan period British Ceylon period Modern
Influences	Buddhist architecture Dravidian architecture Hindu architecture Islamic architecture Colonial architecture Portuguese, Dutch, British buildings
Styles	Secular Ambalama Cadjan idama Madama Maha Gabadava Maligawa Pokuna Walauwa Religious Buddhist Viharaya Mahavihara Gal Vihara Tempita Vihara List Pansala Dagoba/Stupas Devale Hindu temples Mosques Cathedrals
Rooms and spaces	Atuva Bana maduva Bissa Bodhi maluwa Chaitya Dig-ge Edanda Gabada-ge Kadavat Maligava Meda Midula Meda vahala Muluten-ge Mura-ge Padhanaghara Pila Pilima-ge Pohoya-ge Ritta-ge Udu-mahal-ge Vatadage
Furnishings	Kolombu Ketes
Elements	Kandyan roof Kataraya Kenimadala Korawakgala Madol Kurupawa Muragala Pekada Sandakada pahana Suna gal Vahalkada
Notable cities	Anuradhapura Polonnaruwa Kandy Colombo Jaffna Galle
Theory and analysis	Gal vaduvo Sri Lanka Institute of Architects Architects Firms Manjusri Vasthu Vidya Sastra Architecture schools in Sri Lanka
Lists	Sri Lankan units of measurement Ancient constructions Colonial mansions Forts
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