Fear (1954 film)
Fear | |
---|---|
![]() Belgian theatrical release poster | |
Directed by | Roberto Rossellini |
Written by |
|
Based on | Fear by Stefan Zweig |
Produced by | Herman Millakowsky |
Starring | |
Cinematography |
|
Edited by | |
Music by | Renzo Rossellini |
Distributed by | Minerva Film |
Release dates |
|
Running time | 83 minutes |
Countries |
|
Languages |
|
Fear (Italian: La Paura or German: Angst) is a 1954 German-Italian drama film directed by Roberto Rossellini and starring his wife Ingrid Bergman. It is loosely based on the Stefan Zweig novella Fear. Rossellini created it because he wanted to explore the reconstruction of Germany from both a material and moral standpoint ten years after making his previous German film Germany, Year Zero.[1] The film is noirish with aspects reminiscent of Hitchcock and German Expressionism.[citation needed]
Plot
[edit]Irene is the wife of a pharmaceutics manager. When she decides to leave her lover, she finds herself being blackmailed by an extortionist. She does everything in her power to conceal the truth, without knowing that her husband already knows everything and is sadistically enjoying the situation behind her back.
Cast
[edit]- Ingrid Bergman as Irene Wagner
- Mathias Wieman as Professor Albert Wagner
- Renate Mannhardt as Luisa Vidor, alias Johann Schultze
- Kurt Kreuger as Erich Baumann
- Elise Aulinger as Haushaelterin
- Edith Schultze-Westrum
- Steffi Stroux (credited as Steffi Struck)
- Annelore Wied
- Klaus Kinski as Cabaret Performer
Production
[edit]Fear was shot simultaneously in English and German language and released as Fear in the international, English-language version and as Angst in Germany.[2]
Reception
[edit]The film did not do well when it was released in Italy and Germany. Consequently, the Italian distributor edited the film (originally titled La Paura in the Italian-dubbed version)[2] and re-released it as Non credo più all'amore. In this edited version, a fishing scene is shortened and an explanatory narration is added to two silent scenes. In addition, the ending was changed from a scene showing Bergman attempting suicide to a scene showing her family in the countryside, after Bergman had left her husband, living on for the sake of her children.[citation needed]
The Rossellini Project
[edit]This initiative involves 10 films by Roberto Rossellini that are being digitally restored and will then be promoted internationally. Carrying out the restoration work are Cinecittà Luce-Filmitalia, the Cineteca di Bologna, the Centro Sperimentale di Cinematografia, and the Coproduction Office.
Fear is one of the ten films being restored. The others are: Rome, Open City (Roma città aperta), Paisan (Paisà), Germany Year Zero (Germania anno zero), L’amore, Stromboli (Stromboli terra di Dio), The Machine that Kills Bad People (La Macchina ammazzacattivi), Journey to Italy (Viaggio in Italia), India: Matri Bhumi, and Interview with Salvador Allende (Intervista a Salvador Allende: La forza e la ragione).[3]
North American TV release
[edit]On 15 March 2013, Turner Classic Movies broadcast Fear for the first time on TV in North America. [4]
See also
[edit]Other film adaptations of Stefan Zweig's novella are:
References
[edit]- ^ "La Paura (Fear). 1954. Directed by Roberto Rossellini". The Museum of Modern Art. Retrieved 18 November 2022.
- ^ a b Forgacs, David; Lutton, Sarah; Nowell-Smith, Geoffrey, eds. (2000). Roberto Rossellini: Magician of the Realbooks. British Film Institute. ISBN 978-0851707945.
- ^ "The Rossellini Project". Coproduction Office. Retrieved 18 November 2022.
- ^ "Fear Broadcast Information for TCM". Turner Classic Movies. Retrieved 14 February 2013.
External links
[edit]- La Paura at IMDb
- La Paura at AllMovie
- Fear at the TCM Movie Database
- 1979 New York Times film review by Vincent Canby
- The Rossellini Project
- Harvard University Film Archive screened Fear on July 21 and 23, 2005 as part of its summer exhibition of films.
- Cinema of the World - Review of Fear that also includes movie stills.
- Dennis Grunes Review of Fear.
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.