For faster navigation, this Iframe is preloading the Wikiwand page for Bajazet (opera).

Bajazet (opera)

Opera by Antonio Vivaldi
Portrait of Vivaldi, 1725
LibrettistAgostino Piovene
Based onLife of Beyazid I
1735 (1735)

Bajazet (Italian pronunciation: [baʒaˈzɛ][citation needed]; also called Il Tamerlano[1]) (RV 703) is an Italian opera in 3 acts composed by Antonio Vivaldi in 1735. Its libretto was written by Agostino Piovene. It was premiered in Verona, during the Carnival season of that year. It includes a three-movement sinfonia as an introduction. The story is about the fate of Bajazet (known as Bayezid I) after being captured by Tamerlane (Timur Lenk). The famous aria "Sposa son disprezzata" is from this opera.


Role Voice type Premiere Cast[2]
Tamerlano, the emperor of the Uzbek Turks mezzo-soprano (en travesti) Maria Maddalena Pieri
Bajazet, the emperor of the Ottoman Turks, now a prisoner to Tamerlano baritone Marc'Antonio Mareschi
Asteria, daughter of Bajazet, in love with Andronicus contralto Anna Girò
Andronicus, a prince from Greece, ally of Tamerlane contralto castrato Pietro Moriggi
Irene, princess of Tresbisond, promised in marriage to Tamerlane contralto Margherita Giacomazzi
Idaspe, friend of Andronicus soprano castrato Giovanni Manzoli


Sultan Bajazet prisoned by Tamburlaine (1878) by Stanisław Chlebowski

Act I. In garden of occupied capital of Bursa, where Tamerlane resides following the defeat of the Turks.

Scene 1 (Bajazet & Andronicus): Awaiting death, Bajazet tells Andronicus that if he weds Asteria he must hate Tamerlane.
Scene 2 (Andronicus & Idaspe). Andronicus tells Idaspe to watch Bajazet for Asteria’s sake. Idaspe warns him that Greece has already turned the Empire over to Tamerlane and that Asteria’s beauty will fade, but Andronicus could be crowned Byzantine emperor.
Scene 3 (Tamerlane & Andronicus): Tamerlane grants to Andronicus the Byzantine Empire and discloses that he is in love with Asteria. He asks Andronicus to ask her hand from Bajazet and tells him that he should marry Irene (who is betrothed to Tamerlane).
Scene 4 (Andronicus alone): Andronicus considers: He is not ungrateful to Tamerlane but wishes to have Asteria. Royal apartments for Bajazet and Asteria, guarded.
Scene 5 (Asteria): Asteria considers her dilemma—she loves Andronicus but believes he is interested only in imperial ambition.
Scene 6 (Tamerlane & Asteria); Tamerlane tells Asteria of his love and threatens her with her father’s life. He tells her that Andronicus will wed Irene and sings love aria before leaving.
Scene 7 (Andronicus, Bajazet & Asteria): Asteria reproaches Andronicus in front of her father. Andronicus begins to explain himself but Bajazet tells him that he speaks for his daughter in saying that she will refuse to marry Tamerlane and Bajazet will forfeit his head.
Scene 8 (Asteria & Andronicus): Asteria remains angry with Andronicus and tells him to carry out her father’s orders but not to speak for her. After he leaves, she wonders how she can continue to love one who is untrue to her.
Scene 9 (Irene, Andronicus & Idaspe): Irene wants to know why her proposed husband is not there to greet her. Idaspe explains that he loves another. Andronicus proposes that she go to him as Irene’s messenger. [Tamerlane does not know what she looks like.] She agrees to fight for her rights.
Scene 10 (Andronicus alone): Andronicus admits to himself that Irene is pretty and her kingdom adds to her beauty, but he is sad for Asteria. He sings aria in which he recognizes that if one does not die of grief in these circumstances it is because “either the power of death is weak; or grief is powerless.”
Bajazet and Tamerlan (1746) by Jean-Antoine Guer

Act 2. Open countryside with Tamerlane’s pavilions which open to show Tamerlane and Andronicus seated.

Scene 1 (Tamerlane, Andronicus, Idaspe): Tamerlane tells Andronicus that he learned of Asteria’s consent through her maid and that today both Tamerlane’s marriage to Asteria and Andronicus’s to Irene will take place.
Scene 2 (Andronicus & Idaspe): Andronicus tells Idaspe that he plans to reprove Asteria, relinquish Irene and her realm to Tamerlane, make full restitution, and offer Asteria his life and fortune. Idapse goes to inform Bajazet of Asteria’s decision.
Scene 3 (Andronicus & Asteria): Asreria berates Andronicus for not opposing Tamerlane’s offer to her. Andronicus says that he will lay down his life if that is what she wishes. She tells him it is too late, Tamerlane calls.
Scene 4 (Andronicus alone): Andronicus despairs that he has lost Asteria and will lose his life. He decides to see Bajazet. Pavilion opens to reveal Tamerlane and Asteria on cushions.
Scene 5 (Tamerlane, Asteria, Idaspe & later Irene): Idaspe announces a messenger from Irene, and Irene enters pretending to be that messenger. Tamerlane has Asteria tell her of her decision to accept Tamerlane. Irene protests and Tamerlane admits his guilt (of faithlessness) but instructs her to tell Irene that she will obtain a new husband and a kingdom that day.
Scene 6 (Asteria, Irene, & Idaspe): Asteria informs Irene’s “messenger” that she intends to displease Tamerlane and Irene might have him back.
Scene 7 (Irene & Idaspe): Irene marvels at the resolve of Asteria and says that she loves Tamerlane, despite his unfaithfulness.
Scene 8 (Andronicus & Bajazet): Andronicus informs Bajazet that he saw Asteria accept the throne. Bajazet accuses Andronicus of not fighting hard enough for her. They go to see her, while Bajazet sings of his desperation. Military camp with Tamerlane and Asteria sitting in view of the army.
Scene 9 (Tamerlane, Asteria, later Andronicus, Bajazet & Irene): Asteria complies with Tamerlane’s request that she retire to the royal quarters (with aside that she has a plan). Bajazet arrives seeking his daughter and tells Tamerlane that the blood of an Ottoman sultan will not mingle with a peasant’s. Irene (still as messenger) arrives to challenge Asteria. Tamerlane says that if she can make Asteria renounce the throne, will be Irene’s. Bajazet gives lengthy denunciation of Asteria. Then Asteria renounces the throne and reveals she was going to stab Tamerlane in bed. Tamerlane calls on guards to take Asteria and Bajazet upon whom he will exact vengeance. Tamerlane, Bajazet, Asteria and Irene sing quartet about faithlessness, cruelty mercy and death.
Tamerlane's imprisonment of the Ottoman Sultan Bajazet (16th century), from an anonymous аutograph book from Germany

Act 3. Garden on the banks of the River Euphrates.

Scene 1 (Asteria & Bajazet): Bajazet shares with his daughter poison to be used when Tamerlane begins his vengeance on them.
Scene 2 (Tamerlane, Andronicus & Asteria (aside at first)): Tamerlane tells Andronicus that he will forgive Asteria if she relents. Andronicus begins to plead but Asteria enters and misunderstands his intention. Andronicus is forced to declare his love in front of Tamerlane, who in fury orders Bajazet beheaded and ASteria wedded to the meanest slave.
Scene 3 (Bajazet and the foregoing): Bajazet enters and orders his daughter to arise; she is not to bow to Tamerlane. Tamerlane becomes enraged and orders both Asteria and Bajazet to the dining hall and invites Andronicus should he wish to watch. Tamerlane sings an aria of his “hate, fury and poison for Asteria.
Scene 4 (Andronicus alone): Andronicus decides to give up his throne for Asteria, realizing that he cannot escape from “love and pity, anger and cruelty.” Dining hall with entire guard.
Scene 5 (Tamerlane, Bajzset, Andronicus, later Irene): Tamerlane informs Bajazet that he has been brought from his cell to watch. He then summons Asteria.
Scene 6 (Asteria and the foregoing): Tamerlane orders Asteria to serve him a drink. She secretly fills it with the poison Bajazet gave her. and offers it to Tamerlane.
Scene 7 (Irene with the foregoing): Irene warns Tamerlane not to take the drink, telling him that him that Asteria has poisoned it. Asteria takes the cup to drink it but Andronicus snatches it from her hand. Asteria rushes out. Tamerlane orders the guard to take her to be turned over to the mob. Bajazet promises he will come with a thousand furies to tear out Tamerlane’s heart.
Scene 8 (Bajazet leaves, the rest remain): Irene asks Tamerlane what will become of her. Tamerlane says that she will be his bride. Irene agrees to forgive his past insults to her.
Scene 9 (Idaspe and the foregoing): Idaspe advises Tamerlane that Bajazet has taken poison and is on the verge of death. Tamerlane offers Andronicus his friendship, but not Asteria.
Scene 10 (Asteria and the foregoing): Asteria arrives and announces that “he is indeed dead, you tyrant.” Her Ottoman hatred for Tamerlane has not died, however. She begs for the means to kill herself so she can join her father and sings “Stab me, beat me, kill me, fell me.”
Final Scene (Asteria leaves, but others remain): Irene and Andronicus ask Tamerlanne to have mercy on Asteria. Tamerlane says that the death of Bajazet has softened his heart. All sing of the coming peace and hope for the loss of hate among “a thousand amorous flames.”


  • Allegro
  • Andante Molto
  • Allegro


Act Scene Recitative/Aria Characters
Act 1 Scene 1 Recitative: Prence Lo so: vi devo Bajazet, Andronico
Aria: Del destin non dee lagnarsi Bajazet
Scene 2 Recitative: Non si perda di vista Andronico, Idaspe
Aria: Nasce rosa lusinghiera Idaspe
Scene 3 Recitative: Principe, or ora i greci Tamerlano, Andronico
Aria: In si torbida procella Tamerlano
Scene 4 Recitative: Il Tartaro ama Asteria Andronico
Aria: Quel ciglio vezzosetto Andronico
Scene 5-6 Recitative: Or sì, fiero destino Asteria, Tamerlano
Aria: Vedeste mai sul prato Tamerlano
Scene 7-8 Recitative: Non ascolto più nulla Bajazet, Asteria, Andronico
Aria: Amare un'alma ingrata Asteria
Scene 9 Recitative: Così la sposa il Tamerlano accoglie? Irene, Andronico, Idaspe
Aria: Qual guerriero in campo armato Irene
Scene 10 Recitative: È bella Irene Andronico
Aria: Non ho nel sen constanza Andronico
Act 2 Scene 1 Recitative: Amico, tengo un testimon fedele Tamerlano, Andronico
Scene 2 Recitative: Sarete or ostinato Idaspe, Andronico
Aria: Anche il mar par che sommerga Idaspe
Scene 3 Recitative: Gloria, sdegno ed amore Asteria, Andronico
Aria: Stringi le mie catene Asteria
Scene 4 Recitative: Ah, disperato Andronico! Andronico
Aria: La sorte mia spietata Andronico
Scene 5 Recitative: Signor, vergine illustre Idaspe, Tamerlano, Irene, Asteria
Aria: Cruda sorte, avverso fato! Tamerlano
Scene 6 Recitative: Senti, chiunque tu sia Asteria, Irene
Aria: La cervetta timidetta Asteria
Scene 7 Recitative: Gran cose espone Asteria Irene, Idaspe
Aria: Sposa, son disprezzata Irene
Scene 8 Recitative: Dov'è mia figlia, Andronico? Bajazet, Andronico
Aria: Dov'è la figla? Bajazet
Scene 9 Recitative: Asteria, siamo al soglio...; Accompagnato: Odi, perfida Tamerlano, Asteria, Bajazet, Irene, Andronico
Quartet: Sì crudel! questo è l'amore Irene, Bajazet, Asteria, Tamerlano
Act 3 Scene 1 Recitative: Figlia, siam rei Bajazet, Asteria
Aria: Veder parmi, or che nel fondo Bajazet
Scene 2-3 Recitative: Andronico, il mio amore Tamerlano, Andronico, Asteria, Bajazet
Aria: Barbaro traditor Tamerlano
Scene 4 Recitative: Lascerò di regnare Andronico
Aria: Spesso tra vaghe rose Andronico
Scene 5-7 Recitative: Eccoti, Bajazette Tamerlano, Asteria, Andronico, Bajazet, Irene
Arioso: Verrò crudel, spietato Bajazet
Scene 8 Recitative: Signor, fra tante cure Irene, Tamerlano
Aria: Son tortorella Irene
Scene 9 Recitative: Signore, Bajazette Idaspe, Tamerlano, Andronico
Scene 10 Accompagnato: È morto, sì, tiranno Asteria
Aria: Svena, uccidi, abbatti, atterra Asteria
Final Scene Recitative: Deh, tu cauto la segui Andronico, Irene, Tamerlano
Chorus: Coronata di gigli e rose All (except Bajazet, who's dead, of course)

Origin of arias

Bajazet is a pasticcio. It was a common practice during Vivaldi's time for composers to borrow and adapt arias from other composers with their own works for an opera. Vivaldi himself composed the arias for the good characters (Bajazet, Asteria and Idaspe) and mostly used existing arias from other composers for the villains (Tamerlano, Irene, Andronico) in this opera. Some of the arias are reused from previous Vivaldi operas. The table below lists the origin of some of the arias used in Bajazet.

Aria Composer Original opera Original aria
Del destin non dee lagnarsi Antonio Vivaldi L'Olimpiade Del destin non vi lagnate
Nasce rosa lusinghiera Antonio Vivaldi Giustino, also in Farnace Senti l'aura lusinghiera /
Scherza l'aura lusinghiera
In sì torbida procella Geminiano Giacomelli Alessandro Severo In sì torbida procella (Giulia's aria, scene 12, act II)[3]
Vedeste mai sul prato Johann Adolph Hasse Siroe re di Persia
Qual guerriero in campo armato Riccardo Broschi Idaspe
Non ho nel sen costanza Geminiano Giacomelli Adriano in Siria
Anche il mar par che sommerga Antonio Vivaldi Semiramide
Stringi le mie catene Antonio Vivaldi Griselda
La sorte mia spietata Johann Adolph Hasse Siroe re di Persia La sorte mia tiranna
La cervetta timidetta Antonio Vivaldi Semiramide
Dov'è la figlia? Antonio Vivaldi Motezuma
Sposa, son disprezzata Geminiano Giacomelli Merope Sposa, non mi conosci (Epidite's aria, scene 7, act III)[4]
Qual fufore, qual affanno Antonio Vivaldi Orlando furioso Nel profondo cieco mondo
Sì crudel! questo è l'amore (quartet) Antonio Vivaldi Farnace Io crudel? giusto rigore
Veder parmi, or che nel fondo Antonio Vivaldi Farnace Roma Invitta ma clemente
Spesso tra vaghe rose Johann Adolph Hasse Siroe re di Persia
Coronata di gigli e di rose Antonio Vivaldi Farnace


The first complete recording of this opera was released by Virgin Classics on 10 May 2005. Fabio Biondi conducts Europa Galante in Brussels for this recording. The singers are:

This recording received the award for Best Opera by Midem Classical Awards 2006 and shortlisted for the 48th Annual Grammy Awards 2006. Before this release, excerpts from this opera had been performed by other singers such as Cecilia Bartoli.

Pinchgut Opera's 2015 production of the opera was recorded live and broadcast on ABC Classic FM.[5]

A recording of the complete opera was released in 2020 on Naïve Classiques, featuring Bruno Taddia as Bajazet and Filippo Mineccia as Tamerlano. The orchestra is Accademia Bizantina. All conducted by Ottavio Dantone.



  1. ^ Not to be confused with the opera of the same name by Handel
  2. ^ Ryom, Peter (2007). Vivaldi-Werkverzeichnis, p. 379. Breitkopf & Härtel.
  3. ^ Zeno, Apostolo (1732). Alessandro Severo. Parma.
  4. ^ Zeno, Apostolo (1734). Merope. Venice: Marino Rossetti.
  5. ^ ABC Classic FM (5 July 2015). "Vivaldi's Bajazet Archived 2015-12-18 at the Wayback Machine.


  • Delaméa, Frédéric (2005), "The Noble Death-Pangs of Vivaldian Opera", in Vivaldi: Bajazet [CD liner notes]. Virgin Classics

Piovene, Agostino (1742). Bajazet. Libretto. n.l.: n.p.

{{bottomLinkPreText}} {{bottomLinkText}}
Bajazet (opera)
Listen to this article

This browser is not supported by Wikiwand :(
Wikiwand requires a browser with modern capabilities in order to provide you with the best reading experience.
Please download and use one of the following browsers:

This article was just edited, click to reload
This article has been deleted on Wikipedia (Why?)

Back to homepage

Please click Add in the dialog above
Please click Allow in the top-left corner,
then click Install Now in the dialog
Please click Open in the download dialog,
then click Install
Please click the "Downloads" icon in the Safari toolbar, open the first download in the list,
then click Install

Install Wikiwand

Install on Chrome Install on Firefox
Don't forget to rate us

Tell your friends about Wikiwand!

Gmail Facebook Twitter Link

Enjoying Wikiwand?

Tell your friends and spread the love:
Share on Gmail Share on Facebook Share on Twitter Share on Buffer

Our magic isn't perfect

You can help our automatic cover photo selection by reporting an unsuitable photo.

This photo is visually disturbing This photo is not a good choice

Thank you for helping!

Your input will affect cover photo selection, along with input from other users.


Get ready for Wikiwand 2.0 🎉! the new version arrives on September 1st! Don't want to wait?