For faster navigation, this Iframe is preloading the Wikiwand page for Visitation (Ghirlandaio).

Visitation (Ghirlandaio)

Visitation
ArtistDomenico Ghirlandaio
Year1491
MediumTempera on panel
Dimensions172 cm × 165 cm (68 in × 65 in)
LocationLouvre Museum, Paris

The Visitation is a painting by the Italian Renaissance painter Domenico Ghirlandaio, dating 1491. It is displayed in the Louvre Museum of Paris, France.

The work was commissioned by Lorenzo Tornabuoni[1] for the church later known as Santa Maria Maddalena de' Pazzi.

Description

The Visitation refers to the meeting between St. Mary and St. Elizabeth described in the Gospel of Luke, Luke 1:39–56. The subject was set by Ghirlandaio with a large classical arch in the background featuring a landscape in the centre. Elizabeth, wearing a wide yellow vest, is paying homage to Mary and kneeling.

The painting features numerous details, including the refraction effects of the light, which Ghirlandaio studied from Flemish paintings at Florence. Others include: the frieze decorated with pearls and shells (allusions to Mary's purity), the light veil of the Madonna, the gilt brooch decorated with pearls and a ruby in the centre (this a hint to Jesus' future Passion) which holds her cloak. The Gabinetto dei Disegni e delle Stampe of the Uffizi houses a preparatory drawing of Mary's cloak.

The two women at the sides are, as described by the inscriptions on the arch, Mary, mother of James, and Mary Salome. In the Medieval context, the two were thought to be daughters of St. Anne and thus the sisters or half-sisters of Mary. In the Gospel narrative, they are not present at the Visitation; but in some interpretations of the crucifixion narrative, they are said to have been present at the foot of the cross, and their inclusion in the painting may be intended as a reference to the crucifixion. Salome's dress is a citation of Filippo Lippi's Bartolini Tondo, which was the inspiration for numerous similarly graceful figures in works by Ghirlandaio, Botticelli and others.

Stylistic differences in the figures testifies the work of workshop assistants, perhaps Sebastiano Mainardi. On the lower right of the arch is the date MCCCCLXXXXI (1491). The city in the misty background could be a re-elaboration of Rome, as it includes a triumphal arch and the Pantheon.

Sources

  • Micheletti, Emma; Ghirlandaio, Domenico (2004). Pittori del Rinascimento. Florence: Scala. ISBN 88-8117-099-X.
  • Quermann, Andreas (1998). Ghirlandaio. Cologne: Könemann.

References

  1. ^ See entry for Giovanni Tornabuoni.
{{bottomLinkPreText}} {{bottomLinkText}}
Visitation (Ghirlandaio)
Listen to this article

This browser is not supported by Wikiwand :(
Wikiwand requires a browser with modern capabilities in order to provide you with the best reading experience.
Please download and use one of the following browsers:

This article was just edited, click to reload
This article has been deleted on Wikipedia (Why?)

Back to homepage

Please click Add in the dialog above
Please click Allow in the top-left corner,
then click Install Now in the dialog
Please click Open in the download dialog,
then click Install
Please click the "Downloads" icon in the Safari toolbar, open the first download in the list,
then click Install
{{::$root.activation.text}}

Install Wikiwand

Install on Chrome Install on Firefox
Don't forget to rate us

Tell your friends about Wikiwand!

Gmail Facebook Twitter Link

Enjoying Wikiwand?

Tell your friends and spread the love:
Share on Gmail Share on Facebook Share on Twitter Share on Buffer

Our magic isn't perfect

You can help our automatic cover photo selection by reporting an unsuitable photo.

This photo is visually disturbing This photo is not a good choice

Thank you for helping!


Your input will affect cover photo selection, along with input from other users.

X

Get ready for Wikiwand 2.0 🎉! the new version arrives on September 1st! Don't want to wait?